-
Caravaggio Technique Tutorial - St. John the Baptist
Check also my other shorts and videos.
You can find this and my other paintings on my website:
www.thorstenbechtluft.art
Support: https://paypal.me/OldMasterPaintings?country.x=DE&locale.x=de_DE
Youtube: https://www.youtube.com/channel/UCDxR9IC4NCiwtS6D_IVSo9g
Insta: https://www.instagram.com/old.master.paintings
This was one of the paintings, I could see in the museum before painting.
So I took a lot of photos and tried to use the original colours and tones. Surely I also painted some old, yellowed mastix- or dammarvarnish - but I like this "museumtone"!
The main colours are:
Leadwhite, Ocher, Siena, Umber, Vermillion, Bone Black
Hope you enjoy the video!!
Check also my other shorts and videos.
published: 17 Jan 2021
-
Old Master Painting Conservation
Follow along throughout the process of conserving an old master painting with Julian Baumgartner of Baumgartner Fine Art Restoration in Chicago. Working with detail and care Julian labors to repair damage, stabilize, clean and restore this master work to honor the artist's vision.
Support me on Patreon
https://www.patreon.com/baumgartnerrestoration
Using archival and reversible materials and techniques, the work executed will do no harm to the painting and ensure that generations to come will be able to enjoy this work.
While not meant to be instructional and edited for brevity this video allows art lovers and the curious to see how artworks are conserved.
Official Baumgartner Merchandise
https://teespring.com/stores/bfars-store
http://bfar.com
https://facebook.com/baumgartnerfin...
published: 29 Nov 2018
-
Old Masters' Painting SECRETS
If you enjoy these classroom clips, consider joining the Artwod program.
Artwod provides you with a well structured template to learn all art fundamentals . From drawing to painting you will receive weekly new content that is designed to help you learn efficiently!
Follow Artwod:
Website - https://artwod.com/?utm_source=youtube&utm_medium=social&utm_campaign=youtube_leads
Youtube - https://www.youtube.com/artwod
Facebook - https://www.facebook.com/artwodlearning
Instagram - https://www.instagram.com/art_wod/
Related Links: Improve Your Imaginative Drawing Skills with These Assignments - https://www.youtube.com/watch?v=JPpFw-pU7hk&t
#artwod #conceptartschool #artfundamentals
published: 04 Jan 2022
-
Here are 3 colors to use in your paintings to create a tonal old masters look - with Tim Gagnon
Join my website at http://www.timgagnon.com for hundreds of online paintings lessons from me and other artists.
You can use acrylic or oil with this palette.
Thank you for watching and subscribing! I appreciate your support!
published: 17 May 2021
-
The Secret of Black in Old Masters paintings
In this video, I'm going to share with you the secret of black in old masters' paintings. This mysterious color is used to add depth and atmosphere to paintings, and you can learn how to use it to your advantage in your paintings too.
👍🏻 Connect with Me! 🌐
Don't forget to like, share, and subscribe for more art-related content! Make sure to share your comments or questions below.
Join My Art Community!
🎨👨🏼🎨
Become a member and unlock access to free videos and valuable links:
👉🏻 Join here https://www.atelierschoolonline.com/members
💡 Enhance Your Skills! 🚀
Explore my upcoming online mentorship live semester courses:
👉🏻 Check them out here https://www.atelierschoolonline.com/shop
🎨 Master the Basics with My Udemy Course!
Discover my pre-recorded basic painting online course at Udemy...
published: 26 Jan 2023
-
Oil Painting, Old Masters Method
A workshop by Sergei Chudanov https://www.instagram.com/chudanovsergei/
DETAILED STEP-BY-STEP DESCRIPTION:
This is a private workshop I took at Glazunov Art Academy in April 2019. Sergei and I were painting simultaneously two master copies of Pope Clement X by Giovanni Battista Gaulli, circa 1670-1671. I was shooting Sergei's master copy on days 1, 2 and 3, but on the day 3 he did not have time to finish his layer, so on the 4th day I am shooting him painting on my master copy instead, you can notice the difference.
Normally, it takes a week for the layer of oil glazes to dry, but Sergei and I were mixing some cobalt dryer into the paint, and our layers were dry in 2-3 days.
DAY 1. On the first day we were painting on a canvas previously primed by several layers of gesso, sanded, and ...
published: 08 Jul 2019
-
Exhibition Tour—A New Look at Old Masters | Met Exhibitions
Join curators Keith Christiansen, Stephan Wolohojian, and Adam Eaker on a tour through the newly installed European Paintings galleries and explore new dialogues and themes among the works.
A New Look at Old Masters is part of the European Paintings Skylights Project and is a prelude to the final, expansive re-installation of the European Paintings galleries that will take place after the project is completed.
Learn more about the Skylights Project here:
https://www.metmuseum.org/about-the-met/curatorial-departments/european-paintings/skylights-project
Production Credits:
Managing Producer: Kate Farrell
Producer: Melissa Bell
Editor: Stephanie Wuertz
Cinematography: Josh Kun, Barton Cortright
Music: Austin Fisher
Subscribe for new content from The Met: https://www.youtube.com/user/me...
published: 25 Feb 2021
-
Caravaggio Oilpainting Technique - "Saint Francis" Timelapse
Check also my other shorts and videos.
You can find this and my other paintings on my website:
www.thorstenbechtluft.art
Support: https://paypal.me/OldMasterPaintings?country.x=DE&locale.x=de_DE
Youtube: https://www.youtube.com/channel/UCDxR9IC4NCiwtS6D_IVSo9g
Insta: https://www.instagram.com/old.master.paintings
Saint Francis in Meditation - A copy from Caravaggio. It is painted in oil and originalsize (130x90cm - 51x35 in).
I started on a coloured ground with the deepest shadows before the underpainting in white.
The cloak was mostly done with glazes. The skin was done in several layers of colour and a thin glaze at the end.
Music:
Angevin - Thatched Villagers von Kevin MacLeod ist unter der Lizenz "Creative Commons Attribution" (https://creativecommons.org/licenses/by/4.0/)...
published: 01 May 2020
-
278 Most Famous [ REMBRANDT ] Paintings | 4K Relaxing Art Gallery
278 Most Famous [ REMBRANDT ] Paintings | 4K Relaxing Art Gallery
published: 01 Mar 2024
-
Painting a Bouguereau in oil
Check also my other shorts and videos.
You can find this and my other paintings on my website:
www.thorstenbechtluft.art
Support: https://paypal.me/OldMasterPaintings?country.x=DE&locale.x=de_DE
Youtube: https://www.youtube.com/channel/UCDxR9IC4NCiwtS6D_IVSo9g
Insta: https://www.instagram.com/old.master.paintings
This is the first time I tried a Bouguereau. He lived in the 19th century and so I took pigments from this time. For example my lead white I mixed 50/50 with zinc white and used also colours like prussian blue.
Bouguereau usually started on a grey ground. Next time I will try this.
The clips I filmed with two mobile phones. The start and the end is made with a Huawei P30 pro, the middle part with an Iphone 11 Pro Max. I was surprised about the bad quality from the Ipho...
published: 22 Jun 2020
19:56
Caravaggio Technique Tutorial - St. John the Baptist
Check also my other shorts and videos.
You can find this and my other paintings on my website:
www.thorstenbechtluft.art
Support: https://paypal.me/OldMa...
Check also my other shorts and videos.
You can find this and my other paintings on my website:
www.thorstenbechtluft.art
Support: https://paypal.me/OldMasterPaintings?country.x=DE&locale.x=de_DE
Youtube: https://www.youtube.com/channel/UCDxR9IC4NCiwtS6D_IVSo9g
Insta: https://www.instagram.com/old.master.paintings
This was one of the paintings, I could see in the museum before painting.
So I took a lot of photos and tried to use the original colours and tones. Surely I also painted some old, yellowed mastix- or dammarvarnish - but I like this "museumtone"!
The main colours are:
Leadwhite, Ocher, Siena, Umber, Vermillion, Bone Black
Hope you enjoy the video!!
Check also my other shorts and videos.
https://wn.com/Caravaggio_Technique_Tutorial_St._John_The_Baptist
Check also my other shorts and videos.
You can find this and my other paintings on my website:
www.thorstenbechtluft.art
Support: https://paypal.me/OldMasterPaintings?country.x=DE&locale.x=de_DE
Youtube: https://www.youtube.com/channel/UCDxR9IC4NCiwtS6D_IVSo9g
Insta: https://www.instagram.com/old.master.paintings
This was one of the paintings, I could see in the museum before painting.
So I took a lot of photos and tried to use the original colours and tones. Surely I also painted some old, yellowed mastix- or dammarvarnish - but I like this "museumtone"!
The main colours are:
Leadwhite, Ocher, Siena, Umber, Vermillion, Bone Black
Hope you enjoy the video!!
Check also my other shorts and videos.
- published: 17 Jan 2021
- views: 1941268
9:24
Old Master Painting Conservation
Follow along throughout the process of conserving an old master painting with Julian Baumgartner of Baumgartner Fine Art Restoration in Chicago. Working with d...
Follow along throughout the process of conserving an old master painting with Julian Baumgartner of Baumgartner Fine Art Restoration in Chicago. Working with detail and care Julian labors to repair damage, stabilize, clean and restore this master work to honor the artist's vision.
Support me on Patreon
https://www.patreon.com/baumgartnerrestoration
Using archival and reversible materials and techniques, the work executed will do no harm to the painting and ensure that generations to come will be able to enjoy this work.
While not meant to be instructional and edited for brevity this video allows art lovers and the curious to see how artworks are conserved.
Official Baumgartner Merchandise
https://teespring.com/stores/bfars-store
http://bfar.com
https://facebook.com/baumgartnerfineartrestoration/
https://instagram.com/baumgartnerrestoration/
https://wn.com/Old_Master_Painting_Conservation
Follow along throughout the process of conserving an old master painting with Julian Baumgartner of Baumgartner Fine Art Restoration in Chicago. Working with detail and care Julian labors to repair damage, stabilize, clean and restore this master work to honor the artist's vision.
Support me on Patreon
https://www.patreon.com/baumgartnerrestoration
Using archival and reversible materials and techniques, the work executed will do no harm to the painting and ensure that generations to come will be able to enjoy this work.
While not meant to be instructional and edited for brevity this video allows art lovers and the curious to see how artworks are conserved.
Official Baumgartner Merchandise
https://teespring.com/stores/bfars-store
http://bfar.com
https://facebook.com/baumgartnerfineartrestoration/
https://instagram.com/baumgartnerrestoration/
- published: 29 Nov 2018
- views: 5682008
12:29
Old Masters' Painting SECRETS
If you enjoy these classroom clips, consider joining the Artwod program.
Artwod provides you with a well structured template to learn all art fundamentals . ...
If you enjoy these classroom clips, consider joining the Artwod program.
Artwod provides you with a well structured template to learn all art fundamentals . From drawing to painting you will receive weekly new content that is designed to help you learn efficiently!
Follow Artwod:
Website - https://artwod.com/?utm_source=youtube&utm_medium=social&utm_campaign=youtube_leads
Youtube - https://www.youtube.com/artwod
Facebook - https://www.facebook.com/artwodlearning
Instagram - https://www.instagram.com/art_wod/
Related Links: Improve Your Imaginative Drawing Skills with These Assignments - https://www.youtube.com/watch?v=JPpFw-pU7hk&t
#artwod #conceptartschool #artfundamentals
https://wn.com/Old_Masters'_Painting_Secrets
If you enjoy these classroom clips, consider joining the Artwod program.
Artwod provides you with a well structured template to learn all art fundamentals . From drawing to painting you will receive weekly new content that is designed to help you learn efficiently!
Follow Artwod:
Website - https://artwod.com/?utm_source=youtube&utm_medium=social&utm_campaign=youtube_leads
Youtube - https://www.youtube.com/artwod
Facebook - https://www.facebook.com/artwodlearning
Instagram - https://www.instagram.com/art_wod/
Related Links: Improve Your Imaginative Drawing Skills with These Assignments - https://www.youtube.com/watch?v=JPpFw-pU7hk&t
#artwod #conceptartschool #artfundamentals
- published: 04 Jan 2022
- views: 85362
11:35
Here are 3 colors to use in your paintings to create a tonal old masters look - with Tim Gagnon
Join my website at http://www.timgagnon.com for hundreds of online paintings lessons from me and other artists.
You can use acrylic or oil with this palette. ...
Join my website at http://www.timgagnon.com for hundreds of online paintings lessons from me and other artists.
You can use acrylic or oil with this palette.
Thank you for watching and subscribing! I appreciate your support!
https://wn.com/Here_Are_3_Colors_To_Use_In_Your_Paintings_To_Create_A_Tonal_Old_Masters_Look_With_Tim_Gagnon
Join my website at http://www.timgagnon.com for hundreds of online paintings lessons from me and other artists.
You can use acrylic or oil with this palette.
Thank you for watching and subscribing! I appreciate your support!
- published: 17 May 2021
- views: 72379
9:27
The Secret of Black in Old Masters paintings
In this video, I'm going to share with you the secret of black in old masters' paintings. This mysterious color is used to add depth and atmosphere to paintings...
In this video, I'm going to share with you the secret of black in old masters' paintings. This mysterious color is used to add depth and atmosphere to paintings, and you can learn how to use it to your advantage in your paintings too.
👍🏻 Connect with Me! 🌐
Don't forget to like, share, and subscribe for more art-related content! Make sure to share your comments or questions below.
Join My Art Community!
🎨👨🏼🎨
Become a member and unlock access to free videos and valuable links:
👉🏻 Join here https://www.atelierschoolonline.com/members
💡 Enhance Your Skills! 🚀
Explore my upcoming online mentorship live semester courses:
👉🏻 Check them out here https://www.atelierschoolonline.com/shop
🎨 Master the Basics with My Udemy Course!
Discover my pre-recorded basic painting online course at Udemy:
👉🏻 Explore now https://linktr.ee/luisborrero
📚 Art Materials I Love! 🛒
Find amazing art materials through my curated kit:
👉🏻 Shop here https://kit.co/borreroart
🔗 Helpful Links:
Official Website https://luisborreroart.com/art
Instagram http://luisborreroart.com
Facebook https://www.facebook.com/luisborreroart
TikTok. https://www.tiktok.com/@luisborreroart
Your support means the world to me! 🙏 🙏 you for being part of this artistic journey! 🎨✨
#oilpaints #blackpaint #oldmasters
https://wn.com/The_Secret_Of_Black_In_Old_Masters_Paintings
In this video, I'm going to share with you the secret of black in old masters' paintings. This mysterious color is used to add depth and atmosphere to paintings, and you can learn how to use it to your advantage in your paintings too.
👍🏻 Connect with Me! 🌐
Don't forget to like, share, and subscribe for more art-related content! Make sure to share your comments or questions below.
Join My Art Community!
🎨👨🏼🎨
Become a member and unlock access to free videos and valuable links:
👉🏻 Join here https://www.atelierschoolonline.com/members
💡 Enhance Your Skills! 🚀
Explore my upcoming online mentorship live semester courses:
👉🏻 Check them out here https://www.atelierschoolonline.com/shop
🎨 Master the Basics with My Udemy Course!
Discover my pre-recorded basic painting online course at Udemy:
👉🏻 Explore now https://linktr.ee/luisborrero
📚 Art Materials I Love! 🛒
Find amazing art materials through my curated kit:
👉🏻 Shop here https://kit.co/borreroart
🔗 Helpful Links:
Official Website https://luisborreroart.com/art
Instagram http://luisborreroart.com
Facebook https://www.facebook.com/luisborreroart
TikTok. https://www.tiktok.com/@luisborreroart
Your support means the world to me! 🙏 🙏 you for being part of this artistic journey! 🎨✨
#oilpaints #blackpaint #oldmasters
- published: 26 Jan 2023
- views: 16932
10:55
Oil Painting, Old Masters Method
A workshop by Sergei Chudanov https://www.instagram.com/chudanovsergei/
DETAILED STEP-BY-STEP DESCRIPTION:
This is a private workshop I took at Glazunov Art A...
A workshop by Sergei Chudanov https://www.instagram.com/chudanovsergei/
DETAILED STEP-BY-STEP DESCRIPTION:
This is a private workshop I took at Glazunov Art Academy in April 2019. Sergei and I were painting simultaneously two master copies of Pope Clement X by Giovanni Battista Gaulli, circa 1670-1671. I was shooting Sergei's master copy on days 1, 2 and 3, but on the day 3 he did not have time to finish his layer, so on the 4th day I am shooting him painting on my master copy instead, you can notice the difference.
Normally, it takes a week for the layer of oil glazes to dry, but Sergei and I were mixing some cobalt dryer into the paint, and our layers were dry in 2-3 days.
DAY 1. On the first day we were painting on a canvas previously primed by several layers of gesso, sanded, and painted with raw umber on top. We transferred the drawing using regular charcoal, sprayed fixative over it. Afterwards we lightly painted the shadows with a mix of black and ocher. The most interesting part was lights and highlights. Sergey mixed the titanium white and ocher, put thick brushstrokes on the most highlighted parts of the face, and started spreading it onto less highlighted areas, rubbing it into the canvas, using a pretty dry brush with a little bit of oil and turpentine (very, very little!). This color looked warm when applied in a thick layer, but being rubbed into the dark primed canvas with little to no thinner it the color turned cool!
My painting from Day 1: https://www.instagram.com/p/BwacW5KhQ-t/
Day 2. Next session Sergei and I have started by taking excessive white paint off using a regular razor blade, and getting rid of the brushstroke texture. (You have to keep your painting surface smooth at all times, overwise the glazes will not spread evenly). Then he made the following mixtures for the skin tones:
1) Highlights: white + cadmium yellow + cadmium orange
2) Lights: white + cadmium red + lemon yellow
3) Halftones: emerald green + ocher + black
4) Shadows: earthy colors (ochers and siennas)
(since I was mostly interested in the way old masters painted human skin, we did not talk much about other textures. But, basically, it's always a warm highlight, slightly cooler light, cool halftone and warm shadow.)
It is important to use a new brush (or a well-cleaned brush) for each mixture, and blend highlights only with lights, lights - only with highlights and halftones, halftones - only with lights and shadows, shadows - only with halftones. This will keep your color temperature solid.
It felt weird applying colors that were so different from the colors on the original painting, but they were changing on the go. Transparent layers of pretty intense colors were dimming in minutes, being optically mixed with the previous monochromatic layer!
My painting: https://www.instagram.com/p/Bwac3hQh-Tk/
DAY 3:
Sergey prepared the same mixtures, except for the emerald halftone, and told me to enter the halftone from both sides: with pink color from the lights and with earthy colors from the shadows. I was basically painting repeating the first layer with more details. At the end, it looked ready, but cooler and brighter, than the original.
My painting: https://www.instagram.com/p/BwkLc9tBUmD/
DAY 4.
Final glaze! Sergei has covered the whole canvas with a very thin layer of black (wiped exessive color off), so it worked like a darening Instagram filter. He used a mixture of oi and dammar varnish this time, and a bit of turpentine, since the cobalt dryer was thickening the paint significantly.( If you paint with normal drying speed, you probably won't need turpentine at all).
Afterwards, he entered this layer with highlights. Now THAT'S WHY all old master's paintings are so well blended with the backgrounds! All because of this final overall glaze.
At this stage, you can fix anything you want to fix, unless the previous layers is too different. I moved one eyelid slightly higher, worked fine. Also tried to move a fold, and that did not work: in a few days the old one started showing through, and now I have two similar folds instead of one :)
https://www.instagram.com/p/Bw0XfJ2h8BC/
Overall, it was a fantastic experience, and I have taught many people this method since then.
We even painted a live model in a Renaissance dress: https://www.instagram.com/p/BzmLUrgB5Fb/
Huge thanks to Pelageya Infante for video editing. She has removed my voice since it did not record well, and replaced it with nice music.
And, of course, I am very grateful to Sergei Chudanov, a teacher at Glazunov Art Academy in Moscow, Russia.
Thank you for watching this and reading this to the end. I did not expect this video to become this popular:)
https://wn.com/Oil_Painting,_Old_Masters_Method
A workshop by Sergei Chudanov https://www.instagram.com/chudanovsergei/
DETAILED STEP-BY-STEP DESCRIPTION:
This is a private workshop I took at Glazunov Art Academy in April 2019. Sergei and I were painting simultaneously two master copies of Pope Clement X by Giovanni Battista Gaulli, circa 1670-1671. I was shooting Sergei's master copy on days 1, 2 and 3, but on the day 3 he did not have time to finish his layer, so on the 4th day I am shooting him painting on my master copy instead, you can notice the difference.
Normally, it takes a week for the layer of oil glazes to dry, but Sergei and I were mixing some cobalt dryer into the paint, and our layers were dry in 2-3 days.
DAY 1. On the first day we were painting on a canvas previously primed by several layers of gesso, sanded, and painted with raw umber on top. We transferred the drawing using regular charcoal, sprayed fixative over it. Afterwards we lightly painted the shadows with a mix of black and ocher. The most interesting part was lights and highlights. Sergey mixed the titanium white and ocher, put thick brushstrokes on the most highlighted parts of the face, and started spreading it onto less highlighted areas, rubbing it into the canvas, using a pretty dry brush with a little bit of oil and turpentine (very, very little!). This color looked warm when applied in a thick layer, but being rubbed into the dark primed canvas with little to no thinner it the color turned cool!
My painting from Day 1: https://www.instagram.com/p/BwacW5KhQ-t/
Day 2. Next session Sergei and I have started by taking excessive white paint off using a regular razor blade, and getting rid of the brushstroke texture. (You have to keep your painting surface smooth at all times, overwise the glazes will not spread evenly). Then he made the following mixtures for the skin tones:
1) Highlights: white + cadmium yellow + cadmium orange
2) Lights: white + cadmium red + lemon yellow
3) Halftones: emerald green + ocher + black
4) Shadows: earthy colors (ochers and siennas)
(since I was mostly interested in the way old masters painted human skin, we did not talk much about other textures. But, basically, it's always a warm highlight, slightly cooler light, cool halftone and warm shadow.)
It is important to use a new brush (or a well-cleaned brush) for each mixture, and blend highlights only with lights, lights - only with highlights and halftones, halftones - only with lights and shadows, shadows - only with halftones. This will keep your color temperature solid.
It felt weird applying colors that were so different from the colors on the original painting, but they were changing on the go. Transparent layers of pretty intense colors were dimming in minutes, being optically mixed with the previous monochromatic layer!
My painting: https://www.instagram.com/p/Bwac3hQh-Tk/
DAY 3:
Sergey prepared the same mixtures, except for the emerald halftone, and told me to enter the halftone from both sides: with pink color from the lights and with earthy colors from the shadows. I was basically painting repeating the first layer with more details. At the end, it looked ready, but cooler and brighter, than the original.
My painting: https://www.instagram.com/p/BwkLc9tBUmD/
DAY 4.
Final glaze! Sergei has covered the whole canvas with a very thin layer of black (wiped exessive color off), so it worked like a darening Instagram filter. He used a mixture of oi and dammar varnish this time, and a bit of turpentine, since the cobalt dryer was thickening the paint significantly.( If you paint with normal drying speed, you probably won't need turpentine at all).
Afterwards, he entered this layer with highlights. Now THAT'S WHY all old master's paintings are so well blended with the backgrounds! All because of this final overall glaze.
At this stage, you can fix anything you want to fix, unless the previous layers is too different. I moved one eyelid slightly higher, worked fine. Also tried to move a fold, and that did not work: in a few days the old one started showing through, and now I have two similar folds instead of one :)
https://www.instagram.com/p/Bw0XfJ2h8BC/
Overall, it was a fantastic experience, and I have taught many people this method since then.
We even painted a live model in a Renaissance dress: https://www.instagram.com/p/BzmLUrgB5Fb/
Huge thanks to Pelageya Infante for video editing. She has removed my voice since it did not record well, and replaced it with nice music.
And, of course, I am very grateful to Sergei Chudanov, a teacher at Glazunov Art Academy in Moscow, Russia.
Thank you for watching this and reading this to the end. I did not expect this video to become this popular:)
- published: 08 Jul 2019
- views: 427913
11:49
Exhibition Tour—A New Look at Old Masters | Met Exhibitions
Join curators Keith Christiansen, Stephan Wolohojian, and Adam Eaker on a tour through the newly installed European Paintings galleries and explore new dialogue...
Join curators Keith Christiansen, Stephan Wolohojian, and Adam Eaker on a tour through the newly installed European Paintings galleries and explore new dialogues and themes among the works.
A New Look at Old Masters is part of the European Paintings Skylights Project and is a prelude to the final, expansive re-installation of the European Paintings galleries that will take place after the project is completed.
Learn more about the Skylights Project here:
https://www.metmuseum.org/about-the-met/curatorial-departments/european-paintings/skylights-project
Production Credits:
Managing Producer: Kate Farrell
Producer: Melissa Bell
Editor: Stephanie Wuertz
Cinematography: Josh Kun, Barton Cortright
Music: Austin Fisher
Subscribe for new content from The Met: https://www.youtube.com/user/metmuseum?sub_confirmation=1
#TheMet #Art #TheMetropolitanMuseumofArt #Museum
© 2021 The Metropolitan Museum of Art
https://wn.com/Exhibition_Tour—A_New_Look_At_Old_Masters_|_Met_Exhibitions
Join curators Keith Christiansen, Stephan Wolohojian, and Adam Eaker on a tour through the newly installed European Paintings galleries and explore new dialogues and themes among the works.
A New Look at Old Masters is part of the European Paintings Skylights Project and is a prelude to the final, expansive re-installation of the European Paintings galleries that will take place after the project is completed.
Learn more about the Skylights Project here:
https://www.metmuseum.org/about-the-met/curatorial-departments/european-paintings/skylights-project
Production Credits:
Managing Producer: Kate Farrell
Producer: Melissa Bell
Editor: Stephanie Wuertz
Cinematography: Josh Kun, Barton Cortright
Music: Austin Fisher
Subscribe for new content from The Met: https://www.youtube.com/user/metmuseum?sub_confirmation=1
#TheMet #Art #TheMetropolitanMuseumofArt #Museum
© 2021 The Metropolitan Museum of Art
- published: 25 Feb 2021
- views: 95617
9:46
Caravaggio Oilpainting Technique - "Saint Francis" Timelapse
Check also my other shorts and videos.
You can find this and my other paintings on my website:
www.thorstenbechtluft.art
Support: https://paypal.me/OldMa...
Check also my other shorts and videos.
You can find this and my other paintings on my website:
www.thorstenbechtluft.art
Support: https://paypal.me/OldMasterPaintings?country.x=DE&locale.x=de_DE
Youtube: https://www.youtube.com/channel/UCDxR9IC4NCiwtS6D_IVSo9g
Insta: https://www.instagram.com/old.master.paintings
Saint Francis in Meditation - A copy from Caravaggio. It is painted in oil and originalsize (130x90cm - 51x35 in).
I started on a coloured ground with the deepest shadows before the underpainting in white.
The cloak was mostly done with glazes. The skin was done in several layers of colour and a thin glaze at the end.
Music:
Angevin - Thatched Villagers von Kevin MacLeod ist unter der Lizenz "Creative Commons Attribution" (https://creativecommons.org/licenses/by/4.0/) lizenziert.
Quelle: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1200110
Künstler: http://incompetech.com/
https://wn.com/Caravaggio_Oilpainting_Technique_Saint_Francis_Timelapse
Check also my other shorts and videos.
You can find this and my other paintings on my website:
www.thorstenbechtluft.art
Support: https://paypal.me/OldMasterPaintings?country.x=DE&locale.x=de_DE
Youtube: https://www.youtube.com/channel/UCDxR9IC4NCiwtS6D_IVSo9g
Insta: https://www.instagram.com/old.master.paintings
Saint Francis in Meditation - A copy from Caravaggio. It is painted in oil and originalsize (130x90cm - 51x35 in).
I started on a coloured ground with the deepest shadows before the underpainting in white.
The cloak was mostly done with glazes. The skin was done in several layers of colour and a thin glaze at the end.
Music:
Angevin - Thatched Villagers von Kevin MacLeod ist unter der Lizenz "Creative Commons Attribution" (https://creativecommons.org/licenses/by/4.0/) lizenziert.
Quelle: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1200110
Künstler: http://incompetech.com/
- published: 01 May 2020
- views: 60668
7:59
Painting a Bouguereau in oil
Check also my other shorts and videos.
You can find this and my other paintings on my website:
www.thorstenbechtluft.art
Support: https://paypal.me/OldMa...
Check also my other shorts and videos.
You can find this and my other paintings on my website:
www.thorstenbechtluft.art
Support: https://paypal.me/OldMasterPaintings?country.x=DE&locale.x=de_DE
Youtube: https://www.youtube.com/channel/UCDxR9IC4NCiwtS6D_IVSo9g
Insta: https://www.instagram.com/old.master.paintings
This is the first time I tried a Bouguereau. He lived in the 19th century and so I took pigments from this time. For example my lead white I mixed 50/50 with zinc white and used also colours like prussian blue.
Bouguereau usually started on a grey ground. Next time I will try this.
The clips I filmed with two mobile phones. The start and the end is made with a Huawei P30 pro, the middle part with an Iphone 11 Pro Max. I was surprised about the bad quality from the Iphone when I watched on a bigger screen. After this I changed back to the Huawei.
The last picture shows my painting in real colours.
A lot you asked me, which brand of paint I use. I make my own paint. It´s made of pure pigment and linseed or safflower oil in organic quality. There are no fillers in like plaster, chalk, baryt or wax. Also there are no additional things in like siccatives. Only the pure pigment und oil, like the Old Masters did.
Gemafreie Musik:
Track1: "https://www.frametraxx.de/info/musik-fuer-youtube.html"Onlinevideo Musik: New Forms von Frametraxx
Track2: Higher Hopes von "https://www.frametraxx.de" vonFrametraxx
Track3: "https://www.frametraxx.de/info/gemafreie-musik-imagefilme.html" Imagefilm Musik: Point of View von Frametraxx
https://wn.com/Painting_A_Bouguereau_In_Oil
Check also my other shorts and videos.
You can find this and my other paintings on my website:
www.thorstenbechtluft.art
Support: https://paypal.me/OldMasterPaintings?country.x=DE&locale.x=de_DE
Youtube: https://www.youtube.com/channel/UCDxR9IC4NCiwtS6D_IVSo9g
Insta: https://www.instagram.com/old.master.paintings
This is the first time I tried a Bouguereau. He lived in the 19th century and so I took pigments from this time. For example my lead white I mixed 50/50 with zinc white and used also colours like prussian blue.
Bouguereau usually started on a grey ground. Next time I will try this.
The clips I filmed with two mobile phones. The start and the end is made with a Huawei P30 pro, the middle part with an Iphone 11 Pro Max. I was surprised about the bad quality from the Iphone when I watched on a bigger screen. After this I changed back to the Huawei.
The last picture shows my painting in real colours.
A lot you asked me, which brand of paint I use. I make my own paint. It´s made of pure pigment and linseed or safflower oil in organic quality. There are no fillers in like plaster, chalk, baryt or wax. Also there are no additional things in like siccatives. Only the pure pigment und oil, like the Old Masters did.
Gemafreie Musik:
Track1: "https://www.frametraxx.de/info/musik-fuer-youtube.html"Onlinevideo Musik: New Forms von Frametraxx
Track2: Higher Hopes von "https://www.frametraxx.de" vonFrametraxx
Track3: "https://www.frametraxx.de/info/gemafreie-musik-imagefilme.html" Imagefilm Musik: Point of View von Frametraxx
- published: 22 Jun 2020
- views: 178304